Threads

2026

editorial,photography

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Threads

For centuries, the knowledge of embroidery was passed down among women, gradually becoming a tradition and an integral part of culture. Threads reflects a contemporary perspective, exploring embroidery as a form of visual communication. Here, ornaments treated as a structured language — one that carries ideas of protection, identity, and conection. Rooted in the traditions of Central Ukraine between late 19th and early 20th centuries, Threads combines research with interpretation, offering not only historical insight but also a personal attempt to reconnect with cultural memory through photography, pattern, and storytelling.

Your insecurities are our business.

2025

editorial,photography

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Your insecurities are our business.

This awareness campaign explores how the beauty industry profits from the constant production of idealized images and the creation of insecurities. Targeting social media users, it reveals how beauty standards influence self-perception and consumer behavior. Through photography inspired by cosmetic advertising that gradually shifts into a more disturbing visual language, the project exposes the mechanisms behind these industries. The campaign includes a website designed to resemble a commercial beauty brand while revealing critical information about the industry. Accompanied by videos inspired by post-production meetings and a marketing-style carousel, the project highlights how insecurities are constructed, amplified, and ultimately sold back to consumers. Created in collaboration with Joanna Metz, Ashley Schneiter, and Nyria Graber.

Wings by Lina Kostenko

2025

editorial, litographie

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Wings

The project is dedicated to the poem "Wings" by the Ukrainian author Lina Kostenko. The project was done using lithography, or stone drawing and printing. Having made a system of a book of pictures, which follows the story of the verse, in order to convey the feeling, there is something for everyone, and to strengthen it with the material and the way of carrying out this project.

TURN!

2025

poster

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TURN!

This poster was created during a workshop with Balmer Hählen and is based on a personal memory. My chosen moment recalls the first time I rode a bicycle, when I was unable to stop and crashed into a tree. The poster translates this experience into a visual narrative, focusing on the feeling of impact and sudden interruption. In the second stage of the workshop, shared elements and a common color system were introduced to connect all posters into a collective series. Green was used as the base color, with a pink layer printed on top using screen printing. The pattern represents the idea of being stuck — both physically and mentally — reflecting how certain memories remain imprinted in the mind.

Uncle frank

2025

poster

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Uncle Franc

The poster was made during an information design course, where we were tasked with gathering a large amount of information and making an information poster so that we could understand what the film was about based on the poster and date.

Bias by us

2025

editorial

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Bias by us

Bias by Us is an editorial design project developed during a third-year editorial design course. The task was to create a book based on a self-selected theme, combining research, content structuring, and visual storytelling. The project explores different types of cognitive distortions and biases that we encounter in everyday life. A particular focus was placed on beliefs and assumptions related to predictions, such as tarot reading, astrology, fortune-telling, and similar practices, as well as on how people emotionally and cognitively react to news and information. I selected ten types of bias, assigning a distinct color to each one in order to create a clear visual system and help differentiate the chapters. In addition to explanatory text, each section concludes with a small illustrated comic, designed to simplify complex ideas and provide an intuitive, relatable interpretation of the topic. Typography plays an active role in the book: certain texts are intentionally distorted, reflecting the nature of bias itself and creating a dynamic, engaging reading experience. Through the combination of research, color coding, illustration, and experimental typography, the book aims to visually communicate how perception can be shaped, altered, and manipulated.

Mosaic of diversity

2024

identity

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Mosaic of diversity

Mosaic of Diversity is a group visual identity project developed during the second year of graphic design studies at ECAL, as part of the Visual Identity course. Over the course of one semester, I worked together with Unasit Korakot on a branding concept for the AntiGel Festival in Geneva. The project uses pixel-based visuals to create dynamic animations that convey movement and energy. The pixels form shifting compositions, symbolizing the constant flow of the festival and the people who come together to shape AntiGel itself. Bright, saturated colors were chosen to express intensity, diversity, and strong emotional experiences, reflecting the vibrant atmosphere of the festival.

Into the woods

2025

editorial

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Into the woods

Into the Woods is an editorial design project developed for Crèche La Vufflantine, transforming the identity of the childcare center into a playful visual journey through colors, letters, and animals. Inspired by the mosaic at the entrance, the project is built on a modular grid system that shapes the entire publication and creates a vibrant world designed for children. Through modular compositions, bright colors, and an expressive visual language, the book presents the crèche as a space of discovery and imagination. It translates the atmosphere of the place into an engaging editorial narrative that encourages curiosity, learning, and exploration.

Nuclear War be damned

2024

3D

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Nuclear War be damned

In this project, I was inspired by the work of Maria Prymencheno, Nuclear War be damned, taking a picture in the style of primitivism, I tried to convey and tear the picture into three separate components. Nuclear war, anxiety and, of course, the main creature, combined everything in one composition.

Promenade

2024

motion

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Promenade

We conducted this workshop with Dia Studio, where we imagined a music festival in Lausanne. Our task was to design an animation for the lineup and develop a visual identity for the event. Through research and experimentation, we explored the theme of music festivals and translated our ideas into a cohesive visual system and motion design approach.